The intellectual montage theory can be traced back to "A corner in wheat" (1909) made by _________.

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The intellectual montage theory, which involves the combination of two unrelated images to create a new, abstract meaning, is a concept that can be traced back to the early works of D. W. Griffith. Although Griffith is not typically associated with the formal theory of intellectual montage, which was later developed by Soviet filmmakers like Eisenstein, his innovative editing techniques in films such as "A Corner in Wheat" (1909) laid the groundwork for this and other montage theories.

The Intellectual Montage Theory Can Be Traced Back to "A