Sound effects in the theatre can be produced effectively with either advanced technology or with age-old manual theatrical mechanics, depending on the style of the production.
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Q22: The sound designer's primary collaborator on any
Q23: A harsh red light from below an
Q24: A warm golden red light from below
Q25: The lighting designer can only use the
Q26: Split cross-fades are quite difficult to make
Q28: Digital sound technology will allows musical instruments
Q29: To this day the most common form
Q30: Sound travels more slowly than light.
Q31: Describe the qualities of light at certain
Q32: Discuss the use of light to create
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