Which One of the Following Is NOT One of Stanislavsky's

Which one of the following is NOT one of Stanislavsky's four broad aims of actor training?

A) to make outward behavior (gestures, voice, and rhythm) natural and convincing
B) to have the actors convey the inner needs of a character
C) to make the life of the character on stage not only dynamic but continuous as well
D) to make certain that an actor focuses on the character's inner life by excluding focus on anything else while on stage