Which of the following statements about Buddhist art and sculpture under the T'ang is false?
A) T'ang Buddha images are lifelike and intimate, and mirror contemporary concepts of beauty.
B) Imperial ambitions of the early T'ang caused Chinese Buddhist art to move westward into Central Asia.
C) Paintings and sculptures show that for a thousand years Serindia was a melting pot where Gandharan, Indian, Central Asian and Chinese styles met and where a synthesis emerged.
D) Virtually all sculpture was secular rather than religious.
E) none of these choices
Correct Answer:
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A)Persia.
B)India.
C)Byzantium.
D)Korea.
E)none
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