The Godfather demonstrates the sharp contrast between Hollywood's editing aesthetic in the 1970s and Soviet Montage.

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The Godfather, with its classical Hollywood editing style, contrasts sharply with the Soviet Montage theory of the 1920s, which emphasized rapid editing, symbolic associations, and intellectual conflicts between shots, showcasing a clear difference in editing aesthetics between the two.

The Godfather Demonstrates the Sharp Contrast Between Hollywood's Editing Aesthetic