Why is it sometimes difficult for theatres to attract new audiences? What obstacles stand in the way of this endeavor? What are some of the ways theatres have tried to attract new audiences? How successful do you think these practices might be on you and your peers?
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Q2: Although some theatre critics may write flippant
Q3: Professional critics always adhere to a single
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Q7: Theatres which produce plays intended for a
Q8: Which is NOT one of the three
Q9: What the audience sees is always the
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