Answer the Following Questions

Answer the following questions:
-modernism

A) A philosophy that sees meaning only in those beliefs that can be empirically proven; it therefore rejects as nonsense most of the concerns of traditional philosophy, from the existence of God to the meaning of happiness.
B) A philosophy that stresses the meaninglessness of existence and the importance of the individual in searching for moral values in an uncertain world.
C) Sigmund Freud's terms to describe the three parts of the self and the basis of human behavior, which he saw as basically irrational.
D) The principle that buildings, like industrial products, should serve as well as possible the purpose for which they were made, without excessive ornamentation.
E) A literary technique, used by such writers as Virginia Woolf and James Joyce, in which a character's thoughts and feelings are described as they occur as a means to explore the human psyche.
F) A German interdisciplinary school of fine and applied arts that brought together many leading modern architects, designers, and theatrical innovators.
G) War reparations agreement that reduced Germany's yearly payments, made payment dependent on economic prosperity, and granted large U.S. loans to promote recovery.
H) A worldwide economic depression from 1929 through 1939, unique in its severity and duration and with slow and uneven recovery.
I) A label given to the artistic and cultural movements of the late-nineteenth and early-twentieth centuries; these movements were typified by radical experimentation that challenged traditional forms of artistic expression.
J) Albert Einstein's theory that time and space are relative to the observer, and that only the speed of light remains constant.
K) A short-lived New Deal-inspired alliance in France led by Léon Blum that encouraged the union movement and launched a far-reaching program of social reform.
L) An artistic movement of the 1920s and 1930s that attacked all accepted standards of art and behavior and delighted in outrageous conduct.
M) Somewhat stereotypical image of the modern and independent working woman popular in the 1920s.