Sherman's self-portrait as Raphael's Fornarina (Untitled, 1989) differs from Raphael's The Fornarina in being A) more accurate because it is a photograph. B) more idealized. C) more satirical. D) imbued with symbolic meaning.

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Sherman's self-portrait as Raphael's Fornarina is more satirical, as it plays with the conventions of female representation in art, questioning and critiquing them rather than simply reproducing the original's idealization or accuracy.

Sherman's Self-Portrait as Raphael's Fornarina (Untitled, 1989) Differs from Raphael's