Judd's Untitled (1967) exemplifies the fondness for personal statements and creative disorder found in most minimalist sculptures.

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Judd's works are often associated with the minimalist movement, but he actually rejected the term and preferred to be known as simply an artist. His sculptures, including Untitled (1967), were more concerned with industrial fabrication and geometric forms than personal statements or creative disorder.

Judd's Untitled (1967) Exemplifies the Fondness for Personal Statements and Creative