How did Picasso's treatment of space in Les Demoiselles d'Avignon (Fig. 32-6) dramatically change the practice of painting in the West?
A) It was an alternative to traditional systems of perspective.
B) It legitimized non-objectivity as a viable interest in painting.
C) It emphasized deconstruction of the human form and the picture plane.
D) It implied that art was an intellectual activity not rooted in emotional expression.
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