The 18th-century Indian painting of Maharana Amar Singh and others watching musicians and acrobats utilizes the two most basic visual cues for implying depth on a flat surface. They are

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The two most basic visual cues for implying depth on a flat surface used in the 18th-century Indian painting are position and overlap. Position refers to the placement of objects in relation to each other on the plane, while overlap refers to how one object obscures another to imply spatial relationships.

The 18th-Century Indian Painting of Maharana Amar Singh and Others