Question 1

What positions are included on the technical team? Describe the tasks of five of these positions.Which interests you the most? Why?

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Question 2

Choose a play with which you are familiar,set in a time period prior to 1950.Describe the processes of designing costumes and fully preparing them for performance.Discuss design considerations and processes,sources of costumes,and the process of preparation.

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Question 3

A plan or series of plans showing the placement of each lighting instrument-its type,wattage,size,wiring and connection to a dimmer,and color-is called

Accepted Answer

A light plot is a plan that shows the placement of each lighting instrument, including its type, wattage, size, wiring, connection to a dimmer, and color, in a theatrical production or event.

Question 4

A loosely woven fabric that looks opaque when lit from one side and transparent when lit from the other side is called a cyclorama.

Accepted Answer

A cyclorama is a large curtain or wall, often concave, positioned at the back of a stage, used as a background or to simulate the sky or other distant scenery. The fabric described is more accurately referred to as a scrim.

Question 5

A list of occasions referred to by number,keyed to the script of the play to indicate changes in intensity or use,is called a light plot.

Accepted Answer

A list of occasions referred to by number, keyed to the script of the play to indicate changes in intensity or use, is called a cue sheet, not a light plot. A light plot is a document that visually represents the placement of lighting equipment in the performance space.

Question 6

Ancient uses of costuming served primarily to

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...

Question 7

Discuss the relationship between new technological innovations and live theatre.What contributions have new breakthroughs in digital technology made to scene design? In what ways might such innovation prove problematic for design?

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Question 8

Modern scenic design includes a range of materials,including metals,plastics,masonry,fire,and live animals.

Accepted Answer

Modern scenic design is highly versatile and incorporates a wide range of materials to create the desired visual effect, including metals, plastics, masonry, and even elements like fire and live animals, depending on the needs of the production.

Question 9

Platforms,flats,and drapery are the traditional building blocks of fixed stage scenery.

Accepted Answer

Platforms, flats, and drapery are indeed the traditional elements used in constructing fixed stage scenery, providing the structural and visual components necessary for creating the setting of a theatrical production.

Question 10

The use of makeup signals to the audience that the actor is a performer.

Accepted Answer

Makeup is used in theatre and film to help signify to the audience that the actor is performing a role, enhancing the visual aspects of the character they are portraying.

Question 11

Makeup,like costuming,is

Accepted Answer

Makeup, like costuming, serves both ceremonial and illustrative purposes. It can be used in rituals or ceremonies, signifying certain cultural or social meanings (ceremonial), and it can also be used to depict or represent something, such as a character in a play or movie (illustrative).

Question 12

The name given to the boards that elevate the actors above the level of the audience is a flat.

Accepted Answer

The boards that elevate actors above the audience are called "risers" or "platforms," not flats. Flats are used as lightweight panels to create scenery or backdrops.

Question 13

The production stage manager presides over the working and timing of lighting cues,ensuring that the lights support the play's action and aesthetic.

Accepted Answer

The lighting designer, not the production stage manager, is responsible for the creation and timing of lighting cues to support the play's action and aesthetic. The production stage manager coordinates all aspects of the production and ensures that everything runs smoothly during performances, but the specific design and execution of lighting cues fall under the lighting designer's responsibilities.

Question 14

Describe the possible process of a scenic designer in creating a look for a play and the importance of creative collaboration.What does a designer look for when reading through a play's text before production of any kind has begun?

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Question 15

Common goals of lighting design are verisimilitude and atmosphere.

Accepted Answer

Lighting design aims to create a sense of realism (verisimilitude) and to evoke a specific mood or atmosphere, enhancing the overall experience of a space or production.

Question 16

Which of the following is true of the history of lighting in scene design?

Accepted Answer

Even before electricity, designers used various methods like candles, oil lamps, torches, and reflective surfaces to manipulate lighting in scene design, showing early attempts at controlling light to enhance theatrical presentations.

Question 17

Which invention brought lighting to the stage in its modern form and made lighting a more controlled part of the drama?

Accepted Answer

The gaslight, introduced in the early 19th century, revolutionized stage lighting by providing a more controllable and powerful source of light, allowing for more dramatic and varied lighting effects in theater productions.

Question 18

The most exciting new development in lighting design is LED technology.

Accepted Answer

LED technology represents a significant advancement in lighting design due to its energy efficiency, longevity, and versatility in applications ranging from residential lighting to large-scale architectural projects.

Question 19

What is the difference between light used as scenery and stage lighting? Which do you find contributes more to the theatrical experience? Please name any productions you have seen as examples of both.

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Question 20

The traditional materials of stage scenery are wood,canvas,and paint.

Accepted Answer

These materials have been commonly used for centuries to create sets, backdrops, and props for theatrical productions.

Quiz 5: Designers and Technicians