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Art & Humanities
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Gardners Art Through the Ages
Quiz 32: South and Southeast Asia, 1200 to 1980
Path 4
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Question 1
Multiple Choice
Gopuras, a very popular structural motif can be found in temple complexes in the far south of India. Which of the following describes this structural motif?
Question 2
Multiple Choice
Monumental tombs are not part of either the Hindu or Buddhist traditions, but have a long history in Islamic architecture. Which of the following describes the architectural design used for Islamic mausoleums?
Question 3
Multiple Choice
The rulers of the Punjab Hills states were related to the Rajputs. Which of the following subjects would the Punjab Hills states rulers commission for painting?
Question 4
Multiple Choice
The architect of the Taj Mahal achieved a balance between the verticality and horizontality of the structure by maintaining which of the following?
Question 5
Multiple Choice
In Krishna and Radha in a Pavilion, which of the following would be a setting for the lovers tryst?
Question 6
Multiple Choice
Which area of India resolutely resisted Mughal expansion?
Question 7
Multiple Choice
What accounts for the height of the Qutb Minar minaret in Delhi?
Question 8
Multiple Choice
Basawan chose the moment of maximum chaos and danger in executing the tale of Akbar and the wild elephant. Which of the following devices did Basawan utilize to detail the chaos and danger?
Question 9
Multiple Choice
Where is the Taj Mahal?
Question 10
Multiple Choice
The Lotus Mahal exemplifies the stylistic crosscurrents that typify Indian architecture in the second millennium. Which of the following elements supports this statement?
Question 11
Multiple Choice
Who commissioned the Taj Mahal?
Question 12
Multiple Choice
How is the story about the wild elephant from the Akbarnama an allegory about Akbar's early years as ruler?
Question 13
Multiple Choice
In the Vijayanagara sacred center, what was not included in the architectural complex?
Question 14
Multiple Choice
Rajput painting resembles Mughal and Persian painting. It can be said that the resemblance is in format and material. Which of the following would indicate a sharp difference from Mughal and Persian painting?