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Art & Humanities
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The Theatre Experience
Quiz 6: Creating the World of the Play
Path 4
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Question 21
True/False
An example of point of view in film might be the various angles of vision and perspectives that the camera selects for us.
Question 22
True/False
If two or more playwrights create a play based on the same story, it is important that the facts of that story remain consistent from one play to the next.
Question 23
True/False
Dramatic action is the essence of drama, and even the word drama derives from the word dran, which means "to act" or "to do."
Question 24
True/False
The viewpoint of a theatre artist actually provides the audience with a key to understanding the actions and words of the characters on stage.
Question 25
True/False
Politicians and advertisers often hide their point of view, whereas a playwright's imposition of their point of view is direct and deliberate.
Question 26
True/False
Samuel Taylor Coleridge coined this statement regarding a playwright's point of view: "The world is a comedy to those that think and a tragedy to those that feel."
Question 27
True/False
Two periods that were particularly conducive to the creation of tragic drama were the eighteenth century (the age of enlightenment) and the nineteenth century (the century of progress).
Question 28
True/False
In our contemporary world it is important to recognize a feminist or woman's point of view in analyzing and understanding dramatic works as that viewpoint has not always been considered or respected throughout history but it is essential to the future development of dramatic works.
Question 29
True/False
The action of a play is generally confined to a "world" of its own-that is, to a fictional universe that contains all the characters and events of the play-and none of the characters or actions moves outside the orbit of that world. This is an example of limited time.
Question 30
Essay
Describe an event, from personal experience, which was viewed differently by two different people. What accounts for the differences? Is one interpretation more "true" than the other?
Question 31
Essay
Discuss how children use selectivity when presenting a story, especially if they have done something wrong. How does this relate to selectivity in theatre?
Question 32
Essay
Many times, playwrights use historical and cultural events as the basis for their plays. Discuss how the playwright's personal viewpoint might affect the way he or she presents the story. For instance, Arthur Miller wrote The Crucible during the McCarthy era, when he and many of his friends were being accused of being communist sympathizers. LeRoi Jones wrote about race relations in Dutchman, Larry Kramer about the advent of the AIDS crisis in New York City in The Normal Heart, David Henry Hwang asks what race really means in Yellow Face, and Lorraine Hansberry wrote about the aspirations of the Younger family in A Raisin in the Sun. How do the playwright's personal viewpoints appear in their plays?
Question 33
Essay
Explain how people define themselves in terms of action. "We get to know people not by what they say or who they are but by what they do." Discuss in terms of daily life and personal experience.
Question 34
Essay
In the Greek tragedy Medea by Euripides, Medea murders her children to get revenge on her husband Jason, who has betrayed her. Why might this ancient Greek play still be meaningful for a twenty-first century audience in the United States of America? Instead of producing the play with actors using masks and cothornous (wooden shoes with tall heels) as they did in ancient Greece, how might you produce such a play to make it more meaningful to a contemporary audience?
Question 35
Essay
Every medium presents a story differently according to what options are available to it. Discuss how various media differ in this regard. For instance, how does a novel differ from a play? How does a movie differ from a play?