Orson Welles's Touch of Evil audaciously begins with what type of camera technique?
A) a day-for-night shot that highlights the expressionistic mise-en-scene of a border town
B) a split-screen that heightens the suspense of a car bombing
C) an extended traveling shot to showcase the geography and suspense of a car bombing
D) a rapid-fire montage highlighting the criminality of a Mexican border town
Correct Answer:
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