In 1911 the Austrian composer and theoretician Arnold Schoenberg announced a new, modern style of musical composition that featured Freudian themes along with:

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Schoenberg's new style of composition, often associated with the Second Viennese School, embraced atonality and complex dissonances, reflecting the modernist movement's interest in exploring new territories, including the incorporation of non-traditional sounds like the noise of engines and machines. This was part of a broader artistic movement that sought to capture the essence of the modern industrial age.

In 1911 the Austrian Composer and Theoretician Arnold Schoenberg Announced