The Blair Witch Project (1999) is a movie in which three student filmmakers venture into the woods with a hand-held camera to film a documentary about the notorious Blair Witch. As they move farther into the woods, supernatural activity around them escalates, and the students eventually meet violent ends, their footage ostensibly found and edited by the film's directors. To convince the audience that the movie was indeed created by the students and not professional filmmakers, the film was shot by hand, resulting in shaky images, on cameras no longer standard in the film industry that students would likely have access to. The use of antiquated film technology by directors Daniel Myrick and Eduardo Sánchez to give the audience a sense of authenticity is similar to aesthetic choices made by the ____________.

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The use of outdated and amateur equipment by the directors to create a sense of realism and authenticity is a technique often associated with the neorealist movement in cinema, which emerged in Italy after World War II. Neorealist filmmakers used non-professional actors, real locations, and handheld cameras to tell stories in a more naturalistic style. The Blair Witch Project employed similar tactics to create a sense of verisimilitude, making the events of the film feel more grounded and believable.

The Blair Witch Project (1999) Is a Movie in Which