Question 1

A station´s sound library may consist of what kind of sources?

Accepted Answer

A station's sound library, particularly one belonging to a radio station or audio production facility, may consist of a variety of sources, including:

1. **Music Tracks**: A collection of songs and instrumental tracks spanning various genres and time periods. These are often used for background music, transitions, and to set the mood for different segments.

2. **Sound Effects (SFX)**: A wide range of sound clips used to enhance storytelling and production value. These can include everyday sounds like doors opening, cars honking, nature sounds, and more specialized effects like explosions or sci-fi noises.

3. **Jingles and Station IDs**: Short, catchy tunes or spoken phrases that identify the station. These are used for branding and to create a memorable identity for the station.

4. **Voiceovers and Drops**: Pre-recorded spoken content by announcers, voice actors, or celebrities that can be used for promotions, advertisements, or as part of the station's programming.

5. **Interviews and Talk Segments**: Recorded interviews with guests or discussions on various topics that can be replayed or used as part of different shows.

6. **News and Weather Clips**: Recordings of news bulletins, weather forecasts, and other timely content that can be inserted into programming as needed.

7. **Public Service Announcements (PSAs)**: Educational or informational messages that serve the public interest, often provided by non-profit organizations or government agencies.

8. **Archival Audio**: Historical speeches, old radio shows, or any other audio content that has been preserved and can be used for educational or entertainment purposes.

9. **Ambient Backgrounds**: Longer recordings of ambient sounds that can be used to create an atmosphere or setting, such as a busy street, a quiet forest, or a bustling office.

10. **Podcasts and Syndicated Shows**: Pre-produced shows or podcast episodes that can be broadcast as part of the station's programming.

11. **Listener-Generated Content**: Audio clips sent in by listeners, which could include song requests, comments, or participation in contests and games.

12. **Royalty-Free Music and SFX**: Tracks and effects that are licensed in a way that allows the station to use them without paying royalties for each use.

The sound library is a crucial resource for a station, providing the building blocks for creating engaging and dynamic audio content for its listeners. It is typically managed by audio librarians or production staff who ensure that the content is organized, up-to-date, and easily accessible for on-air use.

Question 2

In creating "formatted" spots, a spot for a music station will be produced in what style?

Accepted Answer

In creating "formatted" spots for a music station, the style of the spot will typically be designed to match the genre and overall aesthetic of the station itself. For example:

- If the music station primarily plays pop music, the spot might be upbeat, energetic, and incorporate contemporary pop music elements to appeal to the station's target audience.
- For a classic rock station, the spot might feature iconic rock riffs or a classic rock song in the background, with a voiceover that matches the tone and style of the era.
- A country music station's spot might include twangy guitar sounds, a friendly and warm voiceover, and imagery that resonates with country music fans.
- An urban/hip-hop station's spot could use beats and rhythms from the hip-hop genre, with a voiceover that uses slang or language that appeals to the urban demographic.

The spot will also likely include key information about the station, such as the station name, frequency, tagline, and any current promotions or events. The goal is to create a spot that not only informs listeners about the station but also entertains and engages them in a way that reflects the station's brand and music format.

Question 3

What new technology in the 1950s replaced live commercials with prerecorded messages?

Accepted Answer

The new technology in the 1950s that replaced live commercials with prerecorded messages was videotape recording. The first practical videotape recording system was introduced by Ampex in 1956, with the Ampex VRX-1000, later renamed the Mark IV. This innovation allowed television programs and commercials to be recorded, edited, and then played back without the need for a live performance each time the commercial aired.

Before the advent of videotape recording, commercials had to be performed live or filmed in advance using more expensive and less flexible film stock. Videotape recording revolutionized the television industry by providing a more efficient and cost-effective method for producing and broadcasting television content, including commercials. This technology not only changed the way commercials were made and distributed but also had a significant impact on the production of TV shows and the entire broadcast industry.

Question 4

What type of radio spots became popular during the 1930s?

Accepted Answer

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Question 5

On Christmas Eve 1926, the radio jingle was introduced when four singers gathered for a musical tribute to what product?

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Question 6

The first radio commercials, starting in 1922, were presented in what manner?

Accepted Answer

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Question 7

A station´s sound library may consist of:

Accepted Answer

A station's sound library may consist of a variety of elements such as sound effects recordings, music bed libraries, and cuts from CDs. Therefore, the best choice is D, which includes all of the above.

Question 8

What effect has the consolidation of radio companies had on announcing job opportunities?

Accepted Answer

The consolidation of radio companies has led to fewer job opportunities for radio announcers, meaning only a very few men and women can still make their living in this profession. This is because consolidation often leads to cost-cutting measures, including reducing staff and increasing the use of voice-tracking technology, which allows for the prerecording of segments that can be played across multiple stations, thus reducing the need for live announcers.

Question 9

What is the job title of the station employee who prepares written material?

Accepted Answer

The station employee who prepares written material is commonly known as a copywriter. They are responsible for writing scripts, promotional materials, and other written content for the station. Option A, the account executive, is typically responsible for sales and managing client relationships. Option B, the traffic manager, handles the scheduling and logistics of commercials and other station content. Option D, the wordsmith, is not a commonly used job title in the media industry.

Question 10

Nondestructive nonlinear editing is done with:

Accepted Answer

Nondestructive nonlinear editing is done using a digital workstation with a computer, which allows for editing without permanently altering the original source material. A razor blade and multitrack tape recorder are tools for destructive editing, as they physically alter the tape. A live announcer and music are not relevant to nondestructive nonlinear editing.

Question 11

What does the production director do?

Accepted Answer

The answer of What does the production director do?...

Question 12

What is the usual arrangement for production studios in a cluster of stations?

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Question 13

What is the low powered amplifier circuit that enables the operator to hear audio without it being distributed to other points?

Accepted Answer

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Question 14

What effect has the consolidation of radio companies had on announcing job opportunities?

Accepted Answer

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Question 15

What is the job title of the station employee who prepares written material? What does the job entail?

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Question 16

How is nondestructive nonlinear editing done?

Accepted Answer

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Question 17

Describe voice-tracking.

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Question 18

Which type of microphone pickup pattern is sensitive to sound from all directions?

Accepted Answer

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Question 19

Describe the standard equipment found in radio studios

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Question 20

To alter the amplitude to create the illusion of being louder without actually changing the sound level is called:

Accepted Answer

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Quiz 9: Production

A station´s sound library may consist of what kind of sources?

In creating "formatted" spots, a spot for a music station will be produced in what style?

What new technology in the 1950s replaced live commercials with prerecorded messages?

What type of radio spots became popular during the 1930s?

On Christmas Eve 1926, the radio jingle was introduced when four singers gathered for a musical tribute to what product?

The first radio commercials, starting in 1922, were presented in what manner?

A station´s sound library may consist of:

What effect has the consolidation of radio companies had on announcing job opportunities?

What is the job title of the station employee who prepares written material?

Nondestructive nonlinear editing is done with:

What does the production director do?

What is the usual arrangement for production studios in a cluster of stations?

What is the low powered amplifier circuit that enables the operator to hear audio without it being distributed to other points?

What effect has the consolidation of radio companies had on announcing job opportunities?

What is the job title of the station employee who prepares written material? What does the job entail?

How is nondestructive nonlinear editing done?

Describe voice-tracking.

Which type of microphone pickup pattern is sensitive to sound from all directions?

Describe the standard equipment found in radio studios

To alter the amplitude to create the illusion of being louder without actually changing the sound level is called: