In order to throw the voice into the audience so that it penetrates to the uttermost reaches of the theatre, the performer must
A) develop a strong through line.
B) utilize the "magic if."
C) project.
D) face forward at all times.
Correct Answer:
Verified
Q1: Which of the following is NOT one
Q2: Acquiring the special physical and vocal skills
Q3: Learning how to make the feelings and
Q5: _ devised a system that could be
Q6: In America, the interpretation of Stanislavsky's ideas
Q7: When the performers combine the inner and
Q8: Regardless of the level of intellectual study
Q9: Which of the following should an actor
Q10: Which one of the following is NOT
Q11: When one person mimics or copies another's
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