There has been a move away from the naturalistic, realistic sets that were the standard in the 19^th century theatre. In the 20^th century, non-realistic, impressionistic sets became common place. Discuss what changes in design philosophy accompanied this, including a discussion of one of the designers who contributed to the development of design.

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The Answer is The move away from naturalistic, realistic sets in 20th century theatre was accompanied by a shift in design philosophy towards a more abstract and expressive approach. Designers began to prioritize the emotional and psychological impact of the set, rather than focusing solely on creating a believable physical environment. This allowed for more creative and imaginative interpretations of the play's themes and characters.

One designer who contributed to the development of non-realistic, impressionistic sets was Adolphe Appia. Appia was a Swiss designer who is considered a pioneer of modern stage lighting and set design. He believed in creating sets that emphasized the mood and emotional content of the play, using light and shadow to evoke a sense of atmosphere and expression. His designs often featured minimalistic, symbolic elements that suggested the essence of a particular location or environment, rather than attempting to replicate it realistically.

Appia's designs revolutionized the way in which sets were approached in theatre, and his emphasis on the psychological impact of design greatly influenced the development of non-realistic, impressionistic sets in the 20th century. His work paved the way for other designers to explore new possibilities in set design, ultimately leading to a more dynamic and visually stimulating theatrical experience for audiences.

There Has Been a Move Away from the Naturalistic, Realistic