Étienne Condillac and other Enlightenment theorists of drama and poetry believed that
A) good drama and poetry were composed according to strict rules.
B) for drama and poetry to progress, they had to break with classical Greek and Roman models.
C) the individual artist should follow his or her imagination.
D) only aristocrats could compose truly great poetry and drama.
E) poetry had to plunge us into "the original chaos of human nature."
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